sony wide angle lens

Check out the video below to see the features that put the GM lenses one step above all the others in the Sony lens catalogue. By Steve Huff. Obviously, AF speed is largely dependent on the camera itself but paired with any Sony mirrorless full frame camera, I’m confident that you won’t be disappointed. Sony E Mount Lens 6.5mm f/2.0 Wide Angle Circular Fisheye for Sony Mirrorless Camera A6600 A6100 A6400 A6500 A6300 A5100 A6000 A5000 NEX by Altura Photo with Protective Hard Case. The Sony 20mm f/1.8 G has two advanced aspherical elements and three extra-low-dispersion elements and a 7.5-inch close-focusing distance (making it an excellent option for close-up, wide-angle photography). I find that many Sony full frame camera owners also own crop sensor compact cameras too. (We actually included this lens in our article on the best lenses for Sony a7 cameras.). Lenses labeled ‘E’ cannot be used on FE-mount cameras (a7 and a9 series). a field of view significantly wider than that of the human eye What’s the difference between Sony E Mount and A Mount? Build quality is all-metal as to be expected from Carl Zeiss, and it’s a huge step-up from the plasticky kit lens. At the end of a long wedding day, the last thing I want to attach to the front of my camera is a big, heavy lens like a 24-70, and 28mm allows you to get stuck right into the crazy dance-floor action, making the viewer feel truly immersed. $10.90 shipping. I’m a firm believer that small mirrorless bodies should be matched with small, lightweight lenses, and this is quite simply one of the best. In this summary we also included some adapted lenses we think are worth mentioning. Sony A7 doesn't have a sensor based image stabilization system and none of these lenses have optical Image Stabilization. I’m interested to hear if you agree or disagree with any of my choices, so please feel free to leave a comment below to continue the discussion. There are photographers that make this combination work well, though. On a cropped sensor Sony mirrorless camera, this lens will give roughly a 50mm field of view (52.5mm), which is ideal for a whole range of subjects. And it weighs a mere 20 ounces (565 grams). Sony a7RII +  24-70mm f/2.8 | © Tony Gale. However, in most normal daylight situations, the lens/camera locked onto the subject fast enough, and it wasn’t an issue. Outstanding mobility and quiet, fast, precise autofocus make it ideal for shooting movies as well as stills. Sony a7RII +  24-70mm f/2.8 | © C-Gee Photography. With the compression at 85mm, I find that the bokeh at f/1.4 is almost too much. FE lenses can be used on E mount cameras, but E lenses cannot be used on FE mount cameras. A wide-angle lens is a go-to choice for many landscape photographers. There’s clearly a lot of choice for Sony shooters in 2020. It’s very rare to find a lens with such a wide aperture that’s this sharp corner-to-corner, with hardly any perceptible coma or vignette. Since Sony A7 has environmental sealings (Weather Sealing), you may like to couple your camera with one of these 12 Wideangle Prime lenses with Weather Sealings. As with all Zeiss lenses, build quality on the 55mm f/1.8 is excellent, with a metal barrel and a solid, high quality feel. Sony ZEISS Distagon T* 24mm f/2 SSM Lens - MINT!! Let’s get the elephant in the room out of the way first – the 35mm f/1.4 is an expensive lens. As you’d expect from the price tag of a G Master lens, image quality out of the Sony 16-35mm f/2.8 is nothing short of incredible. If you own a full frame Sony body (lucky you! Sony Alpha DT; Sony Alpha (Full-frame) more Price < $1,000 < $700 < $600 < $500 < $400 < $300 < $200 < $100; more Aperture < f/4 < f/2.8 < f/2 < f/1.8; more Wide angle < 14 mm < 10 mm ; more Telephoto > 100 mm > 200 mm > 300 mm ; more Image stabilization. Features and specifications are subject to change without notice. Pixel peeking website DXOMark named it the highest-rated wide-angle zoom, with a sharpness score that blew the Canon/Nikon versions right out the water. It is an excellent choice for dynamic landscape and architecture photography. We recommend downloading and installing the latest version of one of the following browsers: Our site is not optimized for your current browser. Sony FE 24mm f/1.4 GM. For this price, I recommend the 85mm f/1.8 for any photographer who needs a versatile portrait focal length at a good price, which complements the size of a Sony mirrorless camera. For any photographer who needs a versatile portrait focal length at a good price, which complements the size of a Sony mirrorless camera. more Focus motor. 12 watching. Silent shooting is useful in a whole range of situations, but my favourite place to use lightweight wide angle lenses like the 28mm f/2 is on the dance-floor. Compatibility: Crop Sensor (E) Minimum Focus: 0.16 m Filter Diameter: 49 mm Size: 63 mm (diameter) x 65.5 mm (length) Weight: Approx. 281 g, Let’s start this review off with one of the sharpest lenses ever produced… all the way back in 2013! The above lens is the Sony FE 70-200mm f/4 G OSS. Follow the link below for lens/body compatibility details. Sony news in your inbox. Be sure to check out this guide to the best lenses for the Sony a6000 for some more Sony e mount lens recommendations for the crop sensor format, and my guide to the best Sony accessories for what I’m currently using with my Sony cameras. It is a prime super wide angle lens designed specifically for Sony mirrorless cameras with APS-C sized image sensors. A customizable focus hold button provides extra control versatility, while dust and moisture resistant design means reliable operation even in challenging conditions. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.38 m Filter Diameter: 82 mm Size: 87.6 mm (diameter) x 136 mm (length) Weight: Approx. Distortion is minimal, but this is probably due to Sony mirrorless bodies which correct most distortion in-camera. Its light weight and diminished size make it a perfect walk-around lens when mounted to a Sony mirrorless camera, making this lens an extremely popular choice with street photographers. The new lens features technology found in the highly-touted Sony G Master line in a compact and lightweight design at less than $1000. As with the 55mm f/1.8 we discussed earlier, the 85mm f/1.8 achieves incredible amounts of detail – zooming in 100% with the Sony A7R III files is mind-blowing. This compact 12–24 mm ultra-wide-angle zoom lens features the shortest focal lengths available in any full-frame E-mount lens, with stunning corner-to-corner G Lens resolution at all apertures. One small issue I noticed was ghosting when shooting towards the sun – this is one area where the coated glass of the 24-70mm f/4 Zeiss is superior, but I don’t consider it a big problem. As long as you don’t mind the weight of this lens, I really can’t find any reason not to recommend it to any kind of Sony full frame shooter. This roundup has been updated to include both native Sony FE lenses for full frame, Sony APS-C lenses for crop sensor, and the latest range of Sigma Art lenses for Sony. Now that you’ve got over that initial shock, why the heck am I recommending such expensive glass in a roundup that’s supposed to cater for the average photographer?! Zoom ring / 2. Yes there’s an f/4 Zeiss version and even a 28-70mm f/3.5-5.6 Sony offering too… but they’re all outperformed by the 24-70mm f/2.8. To get the full experience on, please change your settings to allow JavaScript. When mounted on a Sony APS-C (crop sensor) body like the Sony a6000, the field of view is converted to 85mm, a classic focal length for portrait photographers, who strive for un-distorted, flattering facial features, beautiful out of focus areas (subject separation) and a mid-range zoom which still doesn’t make the viewer feel too detached from the image. Sony NEX 7 +  24mm f/1.8 | © Alan Chen Photography. You can see the latest price of this Sony mid-range zoom lens here. Imperfections like this add a certain character to the lens flare, with a certain unpredictability that’s fun to play around with. All other trademarks are trademarks of their respective owners. As for image quality, the 55mm f/1.8 delivers razor-sharp images whether shot wide open at f/1.8 or stopped down to smaller apertures – you can expect edge to edge sharpness across the board, and incredible detail retention. It’s by no means an exhaustive list since every photographer’s needs are different. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.28 m Filter Diameter: 82 mm Size: 88.5 mm (diameter) x 121.6 mm (length) Weight: Approx. Simple – because it’s the best. Weighing in at 680g, this is one chunky lens, similar in proportions to the 35mm f/1.4 described above. Even wide open, the centre is impressively sharp, with image detail retained right up to the edges of the frame. It’s my ‘money lens’, a real workhorse that delivers great-looking images over and over, and allows me to shoot in near darkness with no flash. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.8 m Filter Diameter: 67 mm Size: 78 mm (diameter) x 82 mm (length) Weight: Approx. In 2019 Sony released the new Sony a7R IV, a6600, a6400, a6100 and RX100 VII cameras and several new E-mount lenses: That’s really a busy year for Sony. As well as low-light shooting advantages, the larger aperture of the 35mm f/1.8 helps to separate the subject, by encouraging sharp in-focus elements, and creamy out-of-focus elements. Wide Angle Camera Lens for Sony. Since it’s such a lightweight lens, auto focus performance on the 28mm f/2 is silent and lightning quick. $99.99 $ 99. It’s a pricey beast of a lens, but it could be the only lens you ever need. You don’t buy the Sony 16-35mm f/2.8 as a replacement to your 35mm prime lens. So it’s also a fair assumption to say that if your primary body is a crop sensor Sony, you’re not earning money via photography. Highly recommended! A wide angle zoom lens with the best image quality and can justify the price tag. The ‘Distagon’ in its full name (Sony FE 35mm f/1.4 Zeiss Distagon T*) refers to a lens design which helps reduce distortion. Get it as soon as Tue, Dec 1. If you want to know what lenses to buy for your Sony camera first, this quick summary should help: If you’re looking for an affordable, fun and tiny prime lens for your Sony APS-C sensor (E mount) camera, the Sony 20mm f/2.8 is my pick. Focusing ring / 5. If you’re coming from another camera system, investing in two Sony mirrorless full frame bodies and several lenses may be out of your budget. Sony 28mm F/2.0 Full-frame Wide-Angle Lens for Sony E-Mount Cameras - SEL28F20. Pixel peeking website DXOMark named it the highest-rated wide-angle zoom, with a sharpness score that blew the Canon/Nikon versions right out the water. All Mobile, Tablets & Smart Devices products. Let’s just say that if sharpness, clarity and low-light performance/ability to blur the background is most important to you, carry on reading ;-), 16-35mm is an extremely useful focal range for all types of photographer. The E-mount is used on the Sony mirrorless camera system (Alpha 7, 6000, 500o and NEX series cameras). If you want to get the most out of every mega pixel in your Sony a6XXX body, investing in premium Zeiss optics will really open your eyes, especially if you’re used to variable aperture zoom lenses, such as the ones that typically come bundled with cameras. FREE Shipping by Amazon. The 28mm field of view really encourages you to get in close for a sense of immersion, and f/2 can help direct the viewer’s eye by blurring the foreground and/or background. I was pleasantly surprised with how much bokeh can be produced at f/2 with this lens. Sony a6000 + 35mm f/1.8 | © Rambo Estrada. Disclaimer: All recommendations are impartial and based on user experience, with no bias to the products or the brand. If you’re looking for a wide angle zoom lens with the best image quality and can justify the price tag, there simply isn’t a better option than the Sony 16-35mm f/2.8. The size and weight balances nicely on the Sony a6XXX series bodies. Yes it is. I still feel the Sony ZV-1 is wide enough, but now Ulanzi WL1 Wide Angle Lens for the Sony ZV-1 has changed the camera completely. Auto-focus performance is just as good as any DSLR equivalent I’ve shot with. Well those days are no more – the 24-70mm f/2.8 is just as sharp than any Sony prime lens I’ve ever shot with – it’s up there with the Sony 55mm we discussed earlier, and all this from a lens that can take you from wide angle to portrait in one twist! Fujifilm shooters are ‘limited’ to APS-C or Medium Format, but Sony shooters can decide between crop sensor and full frame.. and most pros choose full frame. Linear motor for agile, highly precise focus lens control, Direct Drive SSM for quiet, highly precise focus lens control, Sony Nano AR Coating to eliminate flare and ghosting, Lens front cap: Dedicated, Lens rear cap: ALC-R1EM, Case, Looking for help? Mark Condon is a British wedding photographer based in Australia and the founder of Shotkit. Highly recommended! Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.29 m Filter Diameter: 49 mm Size: 64 mm (diameter) x 60 mm (length) Weight: Approx. As for image quality, this is another f/1.8 Sony lens that really excels with its sharpness. Colours are precise and vibrant, so JPEG shooters who don’t want to spend any time behind a computer can be confident of nailing the shot straight-out-of-camera. Sony does make 50mm 1/.8 lenses for both E and FE mount cameras, but this 55mm is faster to auto-focus and sharper, making it definitely worth the additional expense if you plan to use it a lot. This didn’t surprise me to be honest as I’ve fallen in love with almost every lens in Sigma’s Contemporary and Art series for mirrorless cameras so far! If you are looking for a wide angle camera lens for Sony cameras and camcorders, there is an extensive collection compatible with such models available from leading optical brands including Sigma, Samyang and Zeiss amongst others, with apertures from f/1.2 to f/5.6.. A lens is considered to be wide angle when its focal length is less than around 350mm. I prefer to assign the camera’s command dial to control aperture, but for fans of rangefinders or video shooters, using your other hand to adjust aperture can be convenient. The fast 35mm prime lens is a stable of the wedding photography industry, partly for its ability to suck in more ambient light when light levels are low, and partly due to its gorgeous bokeh. Similarly, it can mean the difference between a noisy image (where a higher ISO is needed to capture enough light), and a clean one (where using f/1.8 allows you to use a lower ISO). However, I decided to include the Sony 50mm f/1.4 in the table above, since 50mm seems to be a more popular focal length for many photographers. I call it the ‘lazy lens’, as you can literally shoot an entire wedding with one, barely moving your feet all day! I was pleasantly surprised that it’s much lighter than the Nikon equivalent (by 320g), and also Canon’s version too (by 110g). Focus hold button (customizable) / 3. FE refers to a lens designed to cover a Sony full frame (35mm) sensor. 28mm is a somewhat unusual focal length, and it did admittedly take me a little time to get used to. Providing a 35mm-equivalent focal length of 18mm and a broad 98.9° angle of view, this lens is great for interior, landscape, and architectural images. If you’re looking for the sharpest lens at a useful, flattering focal length, it’s hard to beat the Sony 55mm f/1.8. Most of the advantages of G Master lenses over regular Sony lenses, or even Zeiss lenses, are admittedly a little hard to quantify by the average photographer. 16mm on a full frame camera gives an expansive field of view, perfect for everything from wide panoramic vistas to environmental portraits (so long as the subject is a distance from the camera, and not placed at the edge of the frame!). Incidentally also the rest of my wide-angle collection is also Rokkors, i.e. Distortion is typical for a 24-70mm lens, with pronounced barrel distortion at 24mm, although it’s all easily fixable in Lightroom. Highly recommended! Not sure if my toes would, though. One downside with f/1.4 lenses across the board is their size/weight. Many photographers come to Sony from Nikon or Canon, so their first question is whether they can still use their existing non-native lenses on their new Sony body. If you shoot with a Sony mirrorless camera that has an E mount, you have plenty of quality wide-angle lenses to choose from.On this page, we’ll take a look at eight of the best options. Lens hood / 4. At f/2.8, the 24-70mm f/2.8 is impressively sharp in the centre of the frame across the entire focal range. Whilst slight barrel distortion is still apparent, it’s nothing to worry about, and easily corrected upon import to Lightroom. The f/4 Zeiss version is an affordable and tempting alternative, but you’ll be left wondering how much better your image could have looked…! ©2020 Sony Electronics Inc. All rights reserved. However, for half the price, I’d recommend you check out the f/4 variants too. Well, this Sony 85mm f/1.8 was the third lens I settled on. Even on an APS-C sensor body like the Sony A6500, the 85mm f/1.8 feels good, although 127.5mm as a focal length (with the crop sensor conversion) is admittedly a little less versatile. With several lens manufacturers catering to the Sony E mount, as well as Sony’s own amazing lens lineup, you can’t help feeling a bit overwhelmed by choice! I could go on and on about this lens, but to cut a long story short, the 35mm f/1.4 has made me confident that my switch from Nikon to Sony for my wedding photography work has been a wise one. Due to its small size, it feels great when attached to Sony crop sensor bodies, and makes a fun walk-around lens. 55mm f/1.8 offers a versatile focal length that’s perfect for shooting portraits, and delivers class-leading sharpness and first-rate Zeiss quality. There’s no doubt that this Sony 24mm f/1.8 is the best standard wide angle lens available for crop sensor Sony E mount cameras, but its price definitely isn’t for everyone. A new design significantly reduces overall length and front element size while maintaining the highest possible optical performance. This compact 12–24 mm ultra-wide-angle zoom lens features the shortest focal lengths available in any full-frame E-mount lens, with stunning corner-to-corner G Lens resolution at all apertures. With the sun at your back, images out of the 24-70mm f/2.8 are vivid, sharp, contrasty and extremely sharp. Since APS-C sensors are smaller, the FE lenses can also be used on the Sony APS-C sensor range (also known as NEX), albeit at a 1.5x focal length and maximum aperture multiplication. The focus falloff from these razor sharp in-focus elements to creamy bokeh is gradual and subtle, and the bokeh itself is beautifully smooth. This is a great value medium range prime lens for your FE or E mount Sony. Highly recommended! Sony a7RIII +  85mm f/1.8 | © Gold Hat Photography, So when I switched to Sony, I decided on the 85mm f/1.8 and haven’t looked back. 55mm may sound unusual, but the difference between a 50mm and a 55mm field of view is minor and something you’ll quickly get used to. So for a crop sensor prime lens such as the 24mm f/1.8 to cost almost as much as the camera itself (see latest price here), you’re going to ruffle some feathers amongst hobbyists! If you want to step up the image quality considerably on your a6xxx series camera, the Sigma 30mm f/1.4 is a good bet – that fast maximum aperture will deliver great bokeh, and get you out of trouble in low-light too. 154 g. Still on the topic of small, lightweight lenses that pair perfectly with Sony mirrorless cameras, the Sony 35mm f/1.8 deserves pride of place in this list. $150.00. The images I’ve shot professionally with the Sony 85mm f/1.8 look fantastic at f/1.8, but to me, the lens really excels when stopped down to f/4~f/5.6, where images become even more contrasty and sharp, almost leaping off the screen. The cameras used for testing were the full frame a7R III (reviewed here), the a7 III (reviewed here), and the crop sensor a6000 (reviewed here). 16-35mm has also become popular with wedding photographers, particularly on the dance floor of all places. The Sony a7 and Sony a9 series are full frame mirrorless cameras, so must use the FE range of lenses which have been designed to cover the entire 35mm sensor. So what are you getting for your money? It’s hard after all to differentiate between very good and great, when lens quality is already more than most of us will ever need. It makes the camera a joy to hold, has excellent image quality and won’t break the bank. Investing in one body and just the 24-70mm f/2.8 will mean that you’ll have all your focal distances covered, and can mean a more practical entry into the world of Sony for professional use. Unless you’re shooting in low-light all the time, f/4 plus image stabilization and Sony’s excellent high ISO capabilities may be all you need. the ‘holy trinity’, are unbeatable in quality. 371 g. Remember I mentioned that I bought 3 lenses when I switched from Nikon to Sony? Rokinon’s wide angle lens is the best you could get at an affordable price. For zooms, the f/2.8 G Master lenses are the cream of the crop, whether you own FE or E mount. With the incredible high ISO performance of Sony full frame cameras, you won’t miss the 2/3 of a stop when the sun falls, and you won’t miss it even if you’re a bokeh-whore! Sony a7RIII +  35mm f/1.4 FE | © Gold Hat Photography. That’s right, the 55mm f/1.8 is getting long in the tooth…. The ‘OSS’ refers to Optical Steady-Shot (image stabilization), a feature that is rare on prime lenses. Please contactCustomer Support, CareersContact UsCompany InfoVoluntary Recall, SEL TERMS AND CONDITIONSSEL PRIVACY POLICYCA PRIVACY NOTICEDO NOT SELL MY PERSONAL INFORMATION. I wouldn’t want to drop it (obviously! The 28mm f/2 is currently the most affordable Sony FE prime lens (see the latest price here), and an absolute bargain when compared to wide angle lenses of a similar caliber by other manufacturers. The quality of the bokeh really is great, with round and clean highlights throughout the focal length, thanks to 9 rounded aperture blades. It’s important to understand the difference between Sony FE and Sony E-mount lenses (we’ve ignored Sony A mount lenses in this review, which are for Sony’s non-mirrorless range of cameras). For all you Canon 85mm f/1.2L shooters, shooting wide open with that lens is like cheating – you can turn pretty much any background to a complete mushy creamy mess! The best of what Sony has to offer on iOS or Android. The T* in its full name (Sony FE 55mm f/1.8 ZA Zeiss Sonnar T*) refers to Zeiss’ anti-reflective coating, which improves detail, contrast and clarity, particularly in strong light. Its size/weight went well with the smaller bodies, and the impeccable Carl Zeiss optics made the most of the A7R’s 36MP sensor. Reproduction in whole or in part without written permission is prohibited. 24mm is wide enough to get the entire church or that epic landscape shot, and 70mm gives beautiful compression for a bridal portrait. Such a great little camera and usable tool in so many ways. Although technically it’d fit on a full frame body, you’d experience nasty vignetting unless you cropped the image in-camera. By investing in lightweight Sony FE lenses such as this 28mm, it’s easy to use the same lens on the smaller crop sensor body, and take advantage of the image quality inherent in FE glass. 99. At f/1.8 there’s slight corner softness, but nothing that distracts, and if you get close to your subject, you’re rewarded with some beautiful bokeh thanks to 7 rounded diaphragm blades. GM stands for ‘G Master’ – the premium Sony e mount lenses, similar to Canon’s L series. In addition, shooting near the 70mm end of the focal range at f/2.8 produces creamy bokeh that turns out of focus elements into mush – very useful for unsightly backgrounds at weddings, for example. classic focal length for portrait photographers, this guide to the best lenses for the Sony a6000, FE – any lens that covers a 35mm sized sensor (designed for use on Sony’s full frame mirrorless cameras), G – ‘Gold’ lenses are Sony’s highest quality professional-grade lenses, OSS – ‘Optical SteadyShot’ is Sony’s in-built lens image stabilization, ZA – ‘Zeiss Alpha’, or any Sony lens featuring Carl Zeiss, SSM – ‘SuperSonic Motor’ is for extremely fast and silent Autofocus, SAM – ‘Smooth Autofocus Motor’, usually seem on Sony’s lower-end lenses, ED – ‘Extra-low Dispersion’ glass elements designed to reduce chromatic aberrations, DT – ‘Digital Technology’, refering to lenses that are designed for Sony APS-C sensor cameras, SEL – Sony autofocus lenses designed for E-mount. Sure, your smart phone’s ‘portrait mode’ may be able to do something similar, but the process is much slower with the mobile phone and its fancy A.I. ), and have selected what I believe are the best options for all-round use. In actual fact, it turned out to be much more than that…. The products in this post may contain affiliate links. As long as you get close enough to the subject, you can get impressive bokeh even at 24mm. I’ve been fortunate enough to have access to the entire range of native Sony e mount lenses (thanks Sony Australia! An aperture of f/1.8 also means that you’ll be able to get that coveted ‘blurred background look’ that really separates lesser cameras. Compatibility: Crop Sensor (E) Minimum Focus: 0.3 m Filter Diameter: 49 mm Size: 63 mm (diameter) x 45 mm (length) Weight: Approx. Whether you’re a wide angle lens lover or prefer to zoom in to your subject, the. With the sun at your back, images out of the Sony 24-70mm f/2.8 are vivid, sharp, contrasty and extremely sharp. Wedding photographer or not, 35mm allows you to fit enough in the frame to tell the story, whilst at the same time being equally suited to shoot a solo portrait, group shot, landscape image, or anything else for that matter. Razor sharp, great bokeh and lightweight. ), but am pretty confident it’d survive the fall if I did. So I have been using this Sony ZV-1 and loving it since it arrived. In fact, I’d go as far as to say it’s my favourite lens for a crop sensor Sony body such as the a6000. The exact focal length and aperture are still unknown at the time of writing. I think it’s a fair assumption to say that the majority of professionals use full frame cameras, given the choice. Here’s an example of a lens that’s quite a mouthful: Sony lens naming conventions can be a little confusing…. It looks like JavaScript is disabled in your browser. I’ve owned numerous iterations of a 35mm lens over my years shooting DSLRs, and so the 35mm f/1.4 was a simple choice as the first lens to buy with my a7R III.

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